RED Camera and Avid
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- blackfrancis0
Red just released a "Log and Transcode" plugin for FCP - its on their site - that brings in all footage from your drive (like P2) but transcodes it to Apple's ProRes HQ format. The tests I've run this morning show source and timeline playback with no rendering needed... which is awesome.
I'm copying all of the first day shoot's footage to my drive now (the prod. co. needs it back for tomorrows shoot). As soon as I get some more stuff to play with I'll post up some stuff for you to check out if I can (be patient with me :) ). The .r3d master files are enormous.
Can't wait to see this footage in a Spectre to be color corrected - Its a music video BTW.
- harlequino0
Sweet, please do! :)
- blackfrancis0
I'll email you once i get some stuff up to our ftp for you to try - is that cool?
- Awesome, thanks!harlequino
- Might be a day or 2 - director wants to come in today and view before tomorrow's shoot.blackfrancis
- harlequino0
No i almost shot this music video on a Red cam, but hte DP & owner's fees were out of budget. I am blue with curiosity though! Can you post any stills/clips? I want to see some practical field usage and not Red's demo footage already online.
Oh, and to answer your question - I don't know. Only seen FCP in use with 4k footage.
How does your machine render everything? Does it drag?