POETRY

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  • sarahfailin0

    The Sacred Circle
    BY ADRIAN C. LOUIS
    Numanah, Grandfather, grant me the grace
    of a new song far from this lament
    of lame words and fossils of a losing game.
    No more flat pebbles skimmed between the wetness
    of tongue and thigh and eye again!
    I never asked to be the son of a stained mattress
    who contemplated venison stew and knew
    the shame hidden in grease clouds stuck to the wall
    behind the woodstove where Grandmother cooked.
    I only wanted to run far, so far from Indian land.
    And, God damn it, when I was old enough I did.
    I loitered in some great halls of ivy
    and allowed the inquisition of education:
    electric cattle prods placed lovingly
    to the lobes of my earth memories.
    I carried the false spirit force of sadness
    wrapped in a brown sack in the pocket
    of a worn, tweed coat.
    In junkie alleyways I whispered of forgotten arrows
    in the narrow passages of my own discarded history.
    Then, when I was old enough
    I ran back to Indian land.
    Now I’m thinking of running from here.

    Pine Ridge, South Dakota
    February 1988

  • AQUTE1

  • sarahfailin1

    The Tiger
    By NAEL
    GRADE 1

    The tiger
    He destroyed his cage
    Yes
    YES
    The tiger is out

    Originally published in “They’re Singing a Song in Their Rocket”

  • BuddhaHat4

  • sarahfailin0

    Friday Snow
    BY REGINALD GIBBONS

    Something needs to be done—like dragging a big black plastic sack through the upstairs rooms, emptying into it each waste basket, the trash of three lives for a week or so. I am careful and slow about it, so that this little chore will banish the big ones. But I leave the bag lying on the floor and I go into my daughter’s bedroom, into the north morning light from her windows, and while this minute she is at school counting or spelling a first useful word I sit down on her unmade bed and I look out the windows at nothing for a while, the unmoving buildings—houses and a church—in the cold street.
    Across it a dark young man is coming slowly down the white sidewalk with a snowshovel over his shoulder. He’s wearing a light coat, there’s a plastic showercap under his dirty navy blue knit hat, and at a house where the walk hasn’t been cleared he climbs the steps and rings the doorbell and stands waiting, squinting sideways at the wind. Then he half wakes and he says a few words I can’t hear to the storm door that doesn’t open, and he nods his head with the kindly farewell that is a habit he wears as disguise, and he goes back down the steps and on to the next house. All of this in pantomime, the way I see it through windows closed against winter and the faint sounds of winter.
    My daughter’s cross-eyed piggy bank is also staring out blankly, and in its belly are four dollar bills that came one at a time from her grandmother and which tomorrow she will pull out of the corked mouthhole. (It’s not like the piggy banks you have to fill before you empty them because to empty them you have to smash them.) Tomorrow she will buy a perfect piece of small furniture for her warm well-lit dollhouse where no one is tired or weak and the wind can’t get in.
    Sitting on her bed, looking out, I didn’t see a bundled-up lame child out of school and even turned out of the house for a while, or a blind woman with burns or a sick bald veteran—people who might have walked past stoop-shouldered with what’s happened and will keep happening to them. So much limping is not from physical pain—the pain is gone now, but the leg’s still crooked. The piggy bank and I see only the able young man whose straight back nobody needs.
    When he finally gets past where I can see him, it feels as if a kind of music has stopped, and it’s more completely quiet than it was, an emptiness more than a stillness, and I get up from the rumpled bed and I smooth the covers, slowly and carefully, and I look around the room for something to pick up or straighten, and I take a wadded dollar bill from my pocket and put it into the pig and I walk out.

  • keewee0

    Dreams
    BY LANGSTON HUGHES

    Hold fast to dreams
    For if dreams die
    Life is a broken-winged bird
    That cannot fly.

    Hold fast to dreams
    For when dreams go
    Life is a barren field
    Frozen with snow.

  • Akagiyama0

    • did anyone else read the last part in Dave Chapelle's voice?_niko
    • haha, yeah. TIDDIESIanbolton
  • PhanLo0

  • Bluejam2

  • _niko3

    Good news, i’m not gonna die!
    My doc is going with
    the monster fart theory.

    Apparently my guts are haunted
    by the ghost of pizzas past
    and i read too much on the internet.

    All she could find was ketones
    in my pee ‘cause i don’t eat and drink
    like a normal person.

    What a relief.
    I now return you to topics
    not involving my intestines.

    -Scarabin

  • rzu-rzu1

    I have seen them riding seaward on the waves
    Combing the white hair of the waves blown back
    When the wind blows the water white and black.
    We have lingered in the chambers of the sea
    By sea-girls wreathed with seaweed red and brown
    Till human voices wake us, and we drown.

    from T.S.Eliot's "The Love Song of J. Alfred Prufrock"

  • renderedred1

    Science Poem: Volvox Minuet
    https://www.lastwordonnothing.co…

    Volvox Minuet

    In one old studio my round instructor
    is warming up her knees. Always the knees,
    she said. You don't know what you've got
    til it's gone. And then the music:
    plaintive songs from long-
    forgotten instruments.
    My hair has slipped
    from its braid. My teacher
    counts, a hypnotist's trope,
    and I am five hundred years ago.
    The braid there has slipped too,
    but there someone has bent
    to mend it.

    There is a pond on the way home,
    a rich green plate of globular forms.
    And in there the algae awaken.
    A shy current pushes their arms
    to preparation. The music begins.

    Like new stars we all have been,
    so blind to the cosmos and any orbit
    but our own.