studio start up
Out of context: Reply #6
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- Spookytim0
Well now, first and foremost, make you sure have decent, comfortable and above all durable plimsolls, next... (scene fades to black and then back up to an assembly line in a factory. Oxygen by Jean Michel Jarre plays as we watch hair-netted females working rapidly to secure icing sugar flowers to the tops of rectangular biscuits as they whizz past at phenomenal speed. Next we watch the biscuits drop down a few centimetres into a cardboard tray that shifts incrementally each time a biscuit lands, allowing the next one, mere nanoseconds later, to land in an empty space. When the cardboard tray is finally full of 24 biscuits, it drops out of sight and is replaced be an new, empty tray which immediately begins filling up. Scene cross fades to a new conveyor belt upon which the filled trays travel into a cellophane machine. When they emerge at the other end, they are sealed. Two women, also in hair nets, apply stickers to the upper surface and the trays all travel to the end of the line where tubby men lift them on to crates. When the crates are full they are lifted onto palettes, and when the palettes are full, a fork lift truck puts them on a lorry. We see the lorry leave the factory, travel on a motorway and arrive at a corner shop. A nice old lady signs for the delivery, the biscuits are put on display in the old lady's shop window, and a gaggle of children enter and buy some. Then they eat them on the village greean and wave at a passing bobby as he cycles along. Scene fades to black as Jean Michel Jarre concludes his aural oddysey, then we fade back to Studiospooky)... and so you see, if I hadn't wore my trousers that day, well... I wouldn't be here talking to you know HAHAHAHAH.
But seriously though, its worth avoiding that kind of thing.
Any questions?