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Out of context: Reply #30536

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  • hallelujah0

    Past the age of fifty, Velasquez
    stopped painting definite things.
    He hovered around objects
    with the air, with twilight,
    catching in his shadows
    and airy backgrounds...
    the palpitations of colour...
    which formed the invisible core
    of his silent symphony.
    Henceforth, he captured only...
    those mysterious interpenetrations
    of shape and tone that form a constant,
    secret progression,
    neither betrayed nor interrupted
    by any jolt or jar.
    Space reigns supreme.
    It is as if an aerial wave,
    sliding over the surfaces,
    soaked up their visible emanations,
    defined and modeled them,
    then spread them about like a perfume,
    an echo of themselves,
    a scattering of impalpable dust.

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