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Typecase

Biography

See things in a new light. Hint at potential. Invent contexts. Create concepts.

It’s what you do as a creative. It’s our goal at Veer, too.

We want to help you break out of the grid, the list, the rulebook. To show you visual elements for design in ways that work. To filter out the obvious and the mundane, in our products and our presentation. To help you do the best creative work possible.

Enjoy.

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Cape Rock Mar 17, 08, 7:02 a.m.

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Created with the notion of a heavier Clarendon in mind, Cape Rock owes its strong display aesthetic to bold, distinctive letterforms. Designers Stefan Claudius and Thomas Schostok also didn’t skimp on ligatures and alternates. A Veer Exclusive.

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Volupia Mar 10, 08, 8:36 a.m.

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When Dino dos Santos designed Volupia, his goal was to create a casual font embodying characteristics found in old commercial advertisements. OpenType ligatures and swashes add calligraphic detail and layers of depth to this striking display face.

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DF Dukane Mar 3, 08, 2:12 p.m.

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While researching wood type, Rian Hughes found the lettering at the beginning of each reel of archival microfiche far more appealing. Based on this text, DF Dukane (named after a model of Microfiche reader) sports the quality of mistreated film stock. A Veer exclusive.

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Anaheim Script Feb 25, 08, 7:13 a.m.

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Anaheim Script

Based on an alphabet from a vintage lettering book, Anaheim Script renders the flow of mid-century hand-lettered signage. Painterly elegance is achieved through dashing strokes and a selection of alternate capitals. A Veer Exclusive by Jason Walcott.

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Crete Feb 19, 08, 9:54 a.m.

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Veronika Burian’s Crete was originally inspired by lettering in a small chapel on the Grecian island of the same name. Feminine and elegant, Crete’s unusual serifs and terminals are graceful in the thin weight, but robust in the thicker variation.

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